Selected Articles
"Continuing the Conversation: Responses to Gabriela Serena Sanchez and Quiara Alegría Hudes" (2019). With MK Green, et al. In Theatre Topics.
"Reaffirmation of Life: Dramatic Theory and Race" (2018) . With Bethany Hughes. In Journal of Dramatic Theory and Criticism.
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"Amiri Baraka" (2018). In Visions of Tragedy in Modern American Drama, edited by David Palmer.
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"An Interview with Quiara Alegria Hudes" (2015). In Theatre Survey.
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"An Interview with Thomas Bradshaw" (2014). In Theatre Survey.
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“The Influence of Lloyd Richards” (2012). In Public Theatres and Theatre Publics. Edited by Sara Freeman and Robert Shimko. Cambridge: Cambridge Scholars Publishing.
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“Plaitform Concerns: Trey Anthony’s ‘Da Kink in My Hair” (2012). In New Canadian Realisms. Edited by Roberta Barker and Kim Solga. Playwrights Canada Press.
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“Remembering Genocide within Our Borders: The Trail of Tears & US Museum Culture” (2011)
In Performance in the Borderlands, . edited with Ramon Rivera-Servera. Palgrave Macmillan. |
“A Racial Concern: Adrienne Kennedy’s Diary of Lights” (2012). With Megan Geigner. In Modern Drama.
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"The Politics of Lydia Diamond’s Adaptation of Toni Morrison’s The Bluest Eye” (2012)
With Jocelyn Prince. In African American Review. |
“A Black Cat and Other Plays: African-American Productions of Tennessee Williams’s Drama” (2012).
With Barton Palmer, George Crandell, and Philip Kolin. In Tennessee Williams Annual Review. |
“Twilight in Tennessee: The Similar Styles of Anna Deavere Smith and Tennessee Williams” (2009) In The Influence of Tennessee Williams: Essays on Fifteen American Playwrights. Edited by Philip C. Kolin.
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"Writing with Paint" (2010)
Harvey Young, Author. In Theater Historiography: Critical Questions. Edited by Henry C. Bial and Scott Magelssen. The University of Michigan Press. |
“‘A New Fear Known to Me’: Emmett Till’s Impact on Black Youth Militancy” (2008)
In Southern Quarterly. |